Taiwanese-Australian ceramic artist

Education

2013 Bachelorof Fine Arts (Honours), Ceramics, National Art School, Sydney, Australia

Artistic Philosophy and Style

Core Themes: Time, the fragility of life, the impermanence of existence, andnatural transience are central to her practice.

Materials: Primarilyworks with Jingdezhen high-white porcelain clay, prized for its fine texture,low iron content, and luminous white glaze quality.

Technical Characteristics:

Emphasis on ephemerality: Certain works areintentionally left unfired, allowing them to naturally weather and disintegrateover the course of the exhibition, symbolizing the notion of “returning todust.”

Installation-based practice: Frequentlyincorporates site-specific elements such as water droplets, light, and shadowto evoke the flow of time.

Sculptural approach: Draws inspiration fromflowers, birds, and natural forms, creating ornate and delicately craftedcompositions.

Solo Exhibitions

2026, FLORA, Grainger Gallery, Canberra,Australia

2026, Topography of Memory, ShigarakiCeramics Cultural Park, Shigaraki, Japan

2025, Florlège, MARS Gallery, Melbourne,Australia

2023, Florilegium: Distant Memories, CIW,Australian National University, Canberra, Australia

2023, Still Life from a Distant Memory,Verge Gallery, Sydney, Australia

2021, FLORA EPHEMERA, Gallery Lane Cove,Sydney, Australia

2020, Inflorescence, MAY SPACE, Sydney,Australia

2020, Hua Qi, Tsing Hua University Gallery,Taiwan, China

2020, BLOOM, MARS Gallery, Melbourne,Australia

2020, Florilegia, CC Gallery, Taipei,Taiwan, China

2019, Hua Pu (Florilegium), New Taipei CityYingge Ceramics Museum, Taiwan, China

2019, Florilegium, MAY SPACE, Sydney,Australia

2016, MADE IN CHINA, Gallery KLEI, Sydney,Australia

Selected International Group Exhibitions& Biennales

2020, Taiwan Ceramics Biennale

2019, Korean International Ceramic Biennale

Additional venues include Kyoto CeramicsCentre (Japan), UAUSS Symposium (Turkey), The Australian Ceramics Triennale andmore